View of “Burning at The Edges”

Ibrahim Mahama, ENKA AKYIR, 2013–2018, scrap metal tarpaulin and metal tags on charcoal jute sacks, 343 x 627 x 25 cm. Collection of Longlati Foundation. Image courtesy of the artist and White Cube

Ibrahim Mahama, SEASEA, 2017, scrap metal tarpaulin and metal tags on charcoal jute sacks, 398 x 600 cm. Collection of Longlati Foundation. Image courtesy of the artist and White Cube

Ibrahim Mahama, D.G KROM, 2017, scrap metal tarpaulin and metal tags on charcoal jute sacks, 425 x 606 cm. Collection of Longlati Foundation. Image courtesy of the artist and White Cube

Y.Z. Kami, Black Dome II, 2010–2011, arcylic on linen, 254 x 279.4 cm. Collection of Longlati Foundation. Image courtesy of the artist and Gagosian

Y.Z. Kami, Blue Dome V, 2014, oil on linen, 198.1 x 221 cm. Collection of Longlati Foundation. Image courtesy of the artist and Gagosian

Y.Z. Kami, Gold Dome, 2017, gold leaf on linen, 160 x 177.8 cm. Collection of Longlati Foundation. Image courtesy of the artist and Gagosian

Adam Pendleton, The Now I Am/But Now I Am, 2020, silkscreen ink on mylar, installation dimensions variable thirty (30) parts, each: 96.5 x 73.7 cm. Collection of Longlati Foundation. Image courtesy of the artist and David Kordansky Gallery

Adam Pendleton, Untitled (WE ARE NOT), 2020, silkscreen ink on canvas, 243.8 x 175.3 x 5.1 cm. Collection of Longlati Foundation. Image courtesy of the artist and David Kordansky Gallery

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai

View of “Burning at the Edges,” 2022, Longlati Foundation, Shanghai